The Guardian -
15 Jan 2021 11:00

(Phantom Limb Music)The composer's two new works, exploring slavery and homophobia, are like immersive non-visual films On paper, the latest album by electro-acoustic composer and installation artist Yvette Janine Jackson isn't the most inviting of propositions for these miserable days. It features two lengthy soundscapes: the 23-minute Destination Freedom is a sonic representation of a slave ship crossing the Atlantic; the 20-minute Invisible People is an aural collage that confronts homophobia...
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